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Showing posts with label <b>James Castle</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Wednesday, December 03, 2008</span></h2>

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<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><img height="185" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/aXrMTNN8EMK8z3T5h7ycshKdOubBdp2xJ40RtTJ_mXmeXYQRf6_a8W6IRVvCTbmVVhQ__LJJ8_ROGOvNo0lVljHp16e7Gl5DxXSB718_x4Q_%3Ds0-d" width="276"><span style='mso-spacerun:yes'>&#160;</span><img height="187" id="_x0000_i1026" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/hS4IFaj1cTCv6PWsQ088eaph-nxBmN6Iqnn-WS-uhkc1UXvldyo2gvUgF0hUnwnMmb5CTomMsEH8DfOj4BaHd6w94Ts0rTIR3yuXiZQo%3Ds0-d" width="248"></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Literally next door to the towering, majestic &amp; world famous quilts from Gee&#8217;s Bend&#185;, the drawings of <a href="http://en.wikipedia.org/wiki/James_Charles_Castle"><span style='color:black'>James Castle</span></a> (1899 or 1900 &#8211; 1977) seem tiny &amp; muted. Most of them are monochromatic on the simplest of canvases &#8211; the unfolded backs of commercial packaging, such as cigarette packs. His favored tools were sharpened sticks. His primary pigments were stove soot and saliva. Apparently deaf from birth and unable to read or even speak, <a href="http://www.jcrist.com/jamescastle/jamescastle_1.php"><span style='color:black'>James Castle</span></a> turned out to be one of the great American artists of the 20<sup>th</sup> century. His galleries and those of the Gee&#8217;s Bend quilt makers are what&#8217;s currently at the <a href="http://www.philamuseum.org/exhibitions/328.html"><span style='color:black'>Philadelphia Museum of Art</span></a>, in the same spaces that will be gorged with viewers of Cezanne come late February. Frankly, they should be there now. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://flickr.com/photos/sokref1/sets/72157594172342501/"><span style='color:black'>Castle</span></a> was not entirely an untrained artist, having spent five years in the </span><st1:place><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>Idaho</span></st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'> </span><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>School</span></st1:PlaceType></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> for the Deaf and Blind, although his tenure there was not successful &#8211; he did not learn language and stories vary as to his recalcitrance &amp; defiance. Many of his drawings depict the two-building school or focus on the various Idaho farms his family owned, most often in straightforward realist manner, with the notable exception of heads, which tends to be square or boxy or even objects, such as chairs. There is a quiet ease &amp; precision, even in these simple, sometime minuscule landscapes, that is on a par with any of the 20<sup>th</sup> century realists &#8211; he&#8217;d look just fine alongside any of the Wyeths, for example. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>But there are works here that also absolutely foretell pop art, or that look like Ed Ruscha, or even Jasper Johns. And there&#8217;s no evidence that word of any of these art trends ever seeped through the TV or photo magazines into the Boise Valley farm where he lived the last 40 some years of his life. When we see him copying art, it&#8217;s the salt girl from Morton&#8217;s (with a boxy head) or images from the Sunday funnies or editorial cartoons. Indeed, nobody paid Castle much attention at all &#8211; there were enough kin to work the farms and let him just draw away all day, or to construct tiny sculptures out of cardboard &amp; string &#8211; until a nephew, Bob Beach, first brought him to the attention of a Portland art professor. The rest, as they say, is history. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>And although <a href="http://www.gallerypauleanglim.com/Gallery_Paule_Anglim/James_Castle.html"><span style='color:black'>James Castle</span></a> seems never to have acquired language&#178;, he certainly had ideas about language. <span class=GramE>And books.</span> James Castle was one of the most prolific <span class=GramE>manufacturer</span> of handmade books ever, constructed out of scraps of packaging or magazine ads, very competently sewn with whatever string he could scrounge up. There are books whose only content is the line, page after page of wavy lines clearly indicating his sense of how these go on. It is, in fact, a major treatise on the function of the line as a constituent of language itself, precisely because it is conducted by someone who can look at it from the outside. <a href="http://www.gregkucera.com/castle.htm"><span style='color:black'>Castle</span></a> often puts words or titles on these books&#8217; covers, ranging from Taxes to Kotex. There are even collage displays of packaging, in which star formations themselves are transformed into <a href="http://www.philamuseum.org/collections/permanent/301295.html"><span style='color:black'>kaleidoscopes</span></a> of five identical images.<span style='mso-spacerun:yes'>&#160; </span>I think every visual poet in the world would want to consider the vision of this man for whom language seems to have been essentially visual, as distinct from semantic. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>There is another James Castle who is likewise a sculptor, so use the links here not to be drawn astray. This show will be in </span> <st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Philadelphia</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> through January 4, when it moves to the Art Institute of </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Chicago</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> &amp; finally to the Berkeley Museum of Art. When you go, be sure to see the video documentary that comes with the show, a combination of Castle&#8217;s work and interview snippets with his many nieces &amp; nephews &amp; various art critics (John Yau prominently among them) and historians. <o:p></o:p></span></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><img border="0" height="202" id="_x0000_i1027" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/PChvVHm84oVwcysJC227XjRN9jM3srEJuxoDGgUhlELg1S-85Rmisspx-E_vUI2yDs9rf7x9J_M2jmpUyuFSKPOFBo9q1FXUfoJqqACr%3Ds0-d" width="312"><span style='mso-spacerun:yes'>&#160;</span><img border="0" height="208" id="_x0000_i1028" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/vwogoPqPe97sFWvN8Bykb2BoOXbOH7pyXgV17JwqYIZpbU4QdsM-vbuum7zEPqUBjzWdCkZoxUE0wSoeo-J6LqziRjviy0FR0zEycQ5u%3Ds0-d" width="153"></p>

<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><o:p>&nbsp;</o:p></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial'>&#185; If you <span style='color:black'>go jus to see the quilts &#8211; a day in itself &#8211; be sure to visit the Perelman annex kitty corner from the main museum where they have mounted a small show of recent acquisitions from museum&#8217;s permanent collection of quilts including thirteen pieces from the <a href="http://www.philamuseum.org/exhibitions/306.html"><span style='color:black'>Ella King Torrey</span></a> collection. Torrey, the first director of the Pew Arts program and later head of the San Francisco Art Institute, gathered a series of quilts from <span class=GramE>Gee&#8217;s<span style='mso-spacerun:yes'>&#160; </span></span></span></span><st1:City><st1:place><span   class=GramE><span style='font-size:8.0pt;font-family:Arial;color:black'>Bend</span> </span></st1:place></st1:City><span style='font-size:8.0pt;font-family:Arial;color:black'> while studying at the </span><st1:place><st1:PlaceType><span   style='font-size:8.0pt;font-family:Arial;color:black'>University</span> </st1:PlaceType><span style='font-size:8.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span style='font-size:8.0pt;font-family:Arial;color:black'>Mississippi</span></st1:PlaceName></st1:place><span style='font-size:8.0pt;font-family:Arial;color:black'>. There are also some other recent acquisitions to the quilt collection that will cause your jaw to drop. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:8.0pt;font-family:Arial;color:black'>&#178; </span><st1:City><st1:place><span style='font-size:8.0pt;font-family:Arial;color:black'>Temple</span></st1:place></st1:City><span style='font-size:8.0pt;font-family:Arial;color:black'> Grandin, a scholar of autism &amp; herself autistic, and others have suggested that Castle may have been profoundly autistic rather than deaf, or at least in addition to being deaf.<o:p></o:p></span></p>
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